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KARANTİNADA KLASİK CANLANIŞ: SOPHOCLES’İN ANTIGONE’SİNE ANTIGONENOW İLE HIBRİT BİR YANIT

Year 2021, Issue: 37, 105 - 114, 29.03.2021
https://doi.org/10.47571/ataunigsfd.821185

Abstract

Tiyatrodan alınan hazzın büyük oranda bir oyuna yerinde tanık olmaktan geçtiği su götürmez. Öte yandan, tiyatro eserinin uzaktaki seyirciye ulaşılabilir kılınmasında dijital araçların rolü de yadsınamaz. Covid-19’un vurduğu günümüz dünyasında tiyatro çalışanları da tiyatronun varlığını sürdürebilmesini sağlamanın bir yolu olarak dijitalizme başvurmaktadır. California Üniversitesi Davis Tiyatro ve Dans Bölümünün tamamı kadın oyunculardan oluşan ve Sophocles’in Antigone’sinin hibrit bir uyarlaması olan AntigoneNOW oyunu, mevcut durumu dijital yollarla başarılı bir şekilde irdeleyen ve cevaplayan girişimlerden biridir. Çevrimiçi sergilenen oyun dünyanın farklı köşelerinden ve çeşitli kültürlerden on iki kadın oyuncunun kendilerini telefonları, bilgisayarları ve iPadleri ile kaydettikleri videoların yönetmenler tarafından bir araya getirilip düzenlenmesiyle oluşturulmuştur. Uyarlama, karantina döneminde tiyatro hakkında fikir verirken dünyanın her bir köşesinde isimlendirilmeyen sorunlara ve bunların karşısında çeşitli insanların ortak çabasına içgörüler önerir.

References

  • “AntigoneNOW Screening and Discussion” 23 May 2020. Retrieved on 06 June 2020 from https://www.youtube.com/watch?v=JjA1XYUT594
  • “AntigoneNOW”, UC Davis Department of Theatre and Dance 23 May 2020. Retrieved on 5 June 2020 from https://arts.ucdavis.edu/seasonal-event/antigonenow
  • Anıt Sayaç. Retrieved on 30 July 2020 from http://anitsayac.com/
  • Aristotle. Politics, trans. Benjamin Jowett. New York: Dover Publications, 2000.
  • Bal, Mieke. Travelling Concepts in the Humanities: A Rough Guide. Toronto: University of Toronto Press, 2002.
  • Billings, J. Budelmann, F. and Macintosh, F. (eds.). Choruses, Ancient and Modern. Oxford: Oxford University Press, 2013.
  • Carvel, Bertie. “Why I Created Lockdown Theatre Festival” BBC. Retrieved on 07.07.2020 from https://www.bbc.co.uk/programmes/articles/1pc8FKvX8ztXJRymslCjrB8/why-i-created-lockdown-theatre-festival
  • Dowd, Vincent. “How Live Theatre is still Running despite Lockdown” BBC News, 12 April 2020. Retrieved on 15.08.2020 from bbc.com/news/entertainment-arts-52228541
  • Hegel. Aesthetics: Lectures on Fine Art vol. 2, trans. T.M. Knox. Oxford: Clarendon Press, 1975.
  • Hutcheon, Linda. Theory of Adaptation. New York: Routledge, 2006.
  • Ioannidou, Eleftheria. “Reinscribing the Other in Contemporary Adaptations of Greek Tragedy” in Kara Reilly, ed., Contemporary Approaches to Adaptation in Theatre. London: Palgrave Macmillan, 2018.
  • Kaplan, E. Ann. Trauma Culture: The Politics of Terror and Loss in Media and Literature. London: Rutgers University Press, 2005.
  • Kemp, Margaret L. and Rushe, Sinéad. AntigoneNOW, 23 May 2020. Retrieved on 23 May 2020 from https://vimeo.com/420526562
  • Patočka, Jan. Heretical Essays in the Philosophy of History, trans. Erazim Kohák. Chicago: Open Court, 1996.
  • Thompson, James and Jackson, Anthony. “Applied Theatre/Drama: An e-debate in 2004: Viewpoints” RIDE: Research in Drama and Education 11/1 (1996): 90-95. Retrieved on 20 June 2020 from https://www.tandfonline.com/doi/abs/10.1080/13569780500437960

CLASSICAL REVIVAL IN LOCKDOWN: A HYBRID RESPONSE TO SOPHOCLES’ ANTIGONE WITH ANTIGONENOW

Year 2021, Issue: 37, 105 - 114, 29.03.2021
https://doi.org/10.47571/ataunigsfd.821185

Abstract

It is hard to deny that the pleasure of theatre substantially lies in witnessing a performance in situ. It is equally impossible to eschew the role of digital means in rendering a theatre work accessible to far-away audiences. In the present world hit by Covid-19, theatre practitioners have resorted to digitalism as one solution to ensure theatre’s survival. The University of California (UC) Davis Theatre and Dance Department’s all-female cast AntigoneNOW, a hybrid adaptation of Sophocles’ Antigone, is one of those enterprises that successfully reflected on and responded to the world’s current state through digital means. Twelve culturally diverse female actors from different parts of the world filmed themselves with their phones, iPads, and computers; then all of the recordings brought together and edited by directors of the production. This online adaptation while exemplifying theatre in lockdown, offers insights into the nameless troubles across the globe and the common struggle of a variety of people in their faces.

References

  • “AntigoneNOW Screening and Discussion” 23 May 2020. Retrieved on 06 June 2020 from https://www.youtube.com/watch?v=JjA1XYUT594
  • “AntigoneNOW”, UC Davis Department of Theatre and Dance 23 May 2020. Retrieved on 5 June 2020 from https://arts.ucdavis.edu/seasonal-event/antigonenow
  • Anıt Sayaç. Retrieved on 30 July 2020 from http://anitsayac.com/
  • Aristotle. Politics, trans. Benjamin Jowett. New York: Dover Publications, 2000.
  • Bal, Mieke. Travelling Concepts in the Humanities: A Rough Guide. Toronto: University of Toronto Press, 2002.
  • Billings, J. Budelmann, F. and Macintosh, F. (eds.). Choruses, Ancient and Modern. Oxford: Oxford University Press, 2013.
  • Carvel, Bertie. “Why I Created Lockdown Theatre Festival” BBC. Retrieved on 07.07.2020 from https://www.bbc.co.uk/programmes/articles/1pc8FKvX8ztXJRymslCjrB8/why-i-created-lockdown-theatre-festival
  • Dowd, Vincent. “How Live Theatre is still Running despite Lockdown” BBC News, 12 April 2020. Retrieved on 15.08.2020 from bbc.com/news/entertainment-arts-52228541
  • Hegel. Aesthetics: Lectures on Fine Art vol. 2, trans. T.M. Knox. Oxford: Clarendon Press, 1975.
  • Hutcheon, Linda. Theory of Adaptation. New York: Routledge, 2006.
  • Ioannidou, Eleftheria. “Reinscribing the Other in Contemporary Adaptations of Greek Tragedy” in Kara Reilly, ed., Contemporary Approaches to Adaptation in Theatre. London: Palgrave Macmillan, 2018.
  • Kaplan, E. Ann. Trauma Culture: The Politics of Terror and Loss in Media and Literature. London: Rutgers University Press, 2005.
  • Kemp, Margaret L. and Rushe, Sinéad. AntigoneNOW, 23 May 2020. Retrieved on 23 May 2020 from https://vimeo.com/420526562
  • Patočka, Jan. Heretical Essays in the Philosophy of History, trans. Erazim Kohák. Chicago: Open Court, 1996.
  • Thompson, James and Jackson, Anthony. “Applied Theatre/Drama: An e-debate in 2004: Viewpoints” RIDE: Research in Drama and Education 11/1 (1996): 90-95. Retrieved on 20 June 2020 from https://www.tandfonline.com/doi/abs/10.1080/13569780500437960
There are 15 citations in total.

Details

Primary Language English
Subjects Applied Theatre
Journal Section Makaleler
Authors

Tuğba Aygan 0000-0002-0514-8472

Publication Date March 29, 2021
Submission Date November 5, 2020
Published in Issue Year 2021 Issue: 37

Cite

APA Aygan, T. (2021). CLASSICAL REVIVAL IN LOCKDOWN: A HYBRID RESPONSE TO SOPHOCLES’ ANTIGONE WITH ANTIGONENOW. Sanat Dergisi(37), 105-114. https://doi.org/10.47571/ataunigsfd.821185